Backbeat
Posted: Thu Mar 08, 2012 6:24 pm
“So... what do you think?” My mom asked, looking around the finished garage as I sat on the large amp, playing the Fender Baja I’d gotten for Christmas. I knew something was up the minute I opened it.
“You got me the Baja?” She smiled at me over her coffee cup in response, and my shoulders slumped. “What is it? What's the bad news?” I asked.
“You’re too suspicious Shayne.” Mom replied. “Just enjoy it. Enjoy the holiday.”
“And then you’ll drop the bomb tomorrow?” I asked, gathering up the wrapping paper and bows. I wasn’t stupid. My mom worked hard, she didn’t just blow $600 on one Christmas present if there wasn’t bad news attached.
“We’re moving.” She said nonchalantly, but it hit me like a ton of bricks.
“Where?” I asked tentatively.
“East coast.”
“Across the country?” I was too old to whine, but it just slipped out.
“I didn’t mean Japan.” She kidded, but I wasn’t really in the mood for jokes.
“What about the band?” I complained again. What good was a new guitar if I didn’t have FreaK Storm to play it with? I’d been with them since middle school. We grew up together, Carly, Alley, Brian, Mike (though everyone just called him Murray) and me. We were finally getting somewhere. 40 seconds of one of our songs was used in one of those Nickelodeon movies. You know, the one with the guy who does the really annoying voice? Granted, it was a remake of an oldie, not really 'our' song, but our version of it. We were practically famous already. Plus I’d have to leave my non-band friends, like Dana. But even that, what was worse, we were moving to Paragon.
I do this thing - ever since I was little. It’s like I can feel light. Change it. Change the colors, like a prism, reflect and refract it, bend it to what I want. Here, in Santa Ana, it’s kitch. A novelty. People know FreaK Stom when we play because I can light up the stage, literally. Each drum beat, each time I strum the guitar, lights, colors, I create it all. Sure it’s a gimmick, but it’s got us to play out a few times, and I’m sure with just a little more time, we could be famous. In Paragon? I’d just be another face in the crowd.
“I’m sorry, baby girl. But I got an offer. A great offer. No more working two jobs, no crazy hours. All those years at the Geneva, getting that degree online, it was worth it. They’re paying relocation fees so we can finally have a house, our own house. I can’t turn that down can I?” I wanted to say yes, yes she could. I wanted to say I was just fine living in someone else’s basement apartment, fine with her working two jobs, and me sweeping up at her friend’s salon, getting paid under the table so I could afford drums, cymbals, amps and guitars on my own. But I couldn’t. She worked her hard to take care of me by herself. No child support, no government hand outs. And besides, my mom already accepted the job.
Having a mom that worked a lot left me a lot of time to practice. I wasn’t supposed to go anywhere except school, work, home, or to Murray’s. He lived next door. So taught myself to play. You’d be surprised how much there is out there on YouView, learning riffs, drum beats, and I even bought a saxaphone for twenty bucks at a yard sale that I was teaching myself. I sulked and I moped as I packed up all my stuff to put in the U-haul.
“We’re going to find a house with a garage.” Mom promised. “A detached garage. You’ll have your own studio, and with the extra money, maybe get some recording equipment.”
And so here we were. My garage turned studio. Mom kidded that she used my college fund to sound proof it, when really she just had it reinforced with a ton of insulation and sheet rock, which was good, because I knew I was spoiled by the Santa Ana weather. 80 degrees year round, palm trees, sand, surf to come here and start all over.
“It’s nice.” I conceded, looking around. There was bright paint on the walls. I had a new amp. My computer was upgraded. She was doing everything possible to make sure I was happy and I was for the most part... until the next bombshell.

“You got me the Baja?” She smiled at me over her coffee cup in response, and my shoulders slumped. “What is it? What's the bad news?” I asked.
“You’re too suspicious Shayne.” Mom replied. “Just enjoy it. Enjoy the holiday.”
“And then you’ll drop the bomb tomorrow?” I asked, gathering up the wrapping paper and bows. I wasn’t stupid. My mom worked hard, she didn’t just blow $600 on one Christmas present if there wasn’t bad news attached.
“We’re moving.” She said nonchalantly, but it hit me like a ton of bricks.
“Where?” I asked tentatively.
“East coast.”
“Across the country?” I was too old to whine, but it just slipped out.
“I didn’t mean Japan.” She kidded, but I wasn’t really in the mood for jokes.
“What about the band?” I complained again. What good was a new guitar if I didn’t have FreaK Storm to play it with? I’d been with them since middle school. We grew up together, Carly, Alley, Brian, Mike (though everyone just called him Murray) and me. We were finally getting somewhere. 40 seconds of one of our songs was used in one of those Nickelodeon movies. You know, the one with the guy who does the really annoying voice? Granted, it was a remake of an oldie, not really 'our' song, but our version of it. We were practically famous already. Plus I’d have to leave my non-band friends, like Dana. But even that, what was worse, we were moving to Paragon.
I do this thing - ever since I was little. It’s like I can feel light. Change it. Change the colors, like a prism, reflect and refract it, bend it to what I want. Here, in Santa Ana, it’s kitch. A novelty. People know FreaK Stom when we play because I can light up the stage, literally. Each drum beat, each time I strum the guitar, lights, colors, I create it all. Sure it’s a gimmick, but it’s got us to play out a few times, and I’m sure with just a little more time, we could be famous. In Paragon? I’d just be another face in the crowd.
“I’m sorry, baby girl. But I got an offer. A great offer. No more working two jobs, no crazy hours. All those years at the Geneva, getting that degree online, it was worth it. They’re paying relocation fees so we can finally have a house, our own house. I can’t turn that down can I?” I wanted to say yes, yes she could. I wanted to say I was just fine living in someone else’s basement apartment, fine with her working two jobs, and me sweeping up at her friend’s salon, getting paid under the table so I could afford drums, cymbals, amps and guitars on my own. But I couldn’t. She worked her hard to take care of me by herself. No child support, no government hand outs. And besides, my mom already accepted the job.
Having a mom that worked a lot left me a lot of time to practice. I wasn’t supposed to go anywhere except school, work, home, or to Murray’s. He lived next door. So taught myself to play. You’d be surprised how much there is out there on YouView, learning riffs, drum beats, and I even bought a saxaphone for twenty bucks at a yard sale that I was teaching myself. I sulked and I moped as I packed up all my stuff to put in the U-haul.
“We’re going to find a house with a garage.” Mom promised. “A detached garage. You’ll have your own studio, and with the extra money, maybe get some recording equipment.”
And so here we were. My garage turned studio. Mom kidded that she used my college fund to sound proof it, when really she just had it reinforced with a ton of insulation and sheet rock, which was good, because I knew I was spoiled by the Santa Ana weather. 80 degrees year round, palm trees, sand, surf to come here and start all over.
“It’s nice.” I conceded, looking around. There was bright paint on the walls. I had a new amp. My computer was upgraded. She was doing everything possible to make sure I was happy and I was for the most part... until the next bombshell.









